Twenty-five years after its release, the music of South Park: Bigger, Longer and Uncut still bops.
But which Trey Parker, Matt Stone, and Marc Shaiman banger goes hardest?
(Remember that Parkers directorial debut was the Troma-released horror comedyCannibal!
I know its a great soundtrack, you know its a great soundtrack.
And that was 1999.
Man just bypassed the entire Disney Renaissance.
Its fairly short and does its job illustrating the full extent of the imbalanced relationship Satan and Saddam share.
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11.
Wendys Song
I was so close to not even mentioning Wendys Song on this list.
And without needing help from the clitoris.
Jesus what did I just write?
Could It Be Youre Free at Last/Hell Isnt Good
Would you look at that, a two-header!
Plus, Parker and Stone got none other than James Hetfield of Metallica to sing the latter tune.
Theres something funny about Hetfiled singing hell isnt good.
The composition of the scene is also as lively and energetic as the tune.
The now retired Big Gay Al character was introduced as a walking gay stereotype early into the shows run.
But his big song at the USO show during the third act deserves to be a pride anthem.
Its a showstopping, sincere, enthusiastic bop about being here and queer.
What Would Brian Boitano Do?
What Would Brian Boitano Do?
is a catchy character-driven number that reignites Stan, Kyle, and Cartmans drive to save Terrance and Phillip.
It also mightve been the most kindly a famous person has ever been depicted inSouth Parkhistory.
Its a silly, light-hearted song that ends on such a great cinematic shot.
On top of that, Boitanos Twitter profile picture to this day remains hisSouth Parkcaricature.
I mean, no other celebrity would even dare to do that.
But of course Brian Boitano would!
Kyles Moms a Bitch
Its Kyles Mom a Bitch.
Its one of the most iconic tunes toSouth Parks entire legacy.
But that doesnt negate the song from being any less important to the story and an absolute bop.
Its one of those earworms that never get old.
Speaking of earworms…
5.
Uncle Fucka
Theres nothing like setting the tone.
You gotta woo someone with dinner before bringing them home.
Just as any social commentative song should be.
Its a full-on Karen theme that ignites the flame to the films conflict.
Up There
Every great musical has a sincere, I Want song, usually sung by the protagonist.
Matt and Trey gave one to Satan.
Though his character is introduced fairly late into the movie, hes an instantly empathetic character.
His sweet, sincere gospel number only strengthens the audiences investment in his plight.
Most importantly, its the song that completely highlights Trey Parkers vocal range.
Upon my most recent theatrical viewing, Up There was one of the numbers that gave me deep chills.
Something about Parkers note change in up there, up where gives me goosebumps each time.
Somehow La Resistance becomes as exciting as One Day More.
Mountain Town
Mountain Town is as great as an opening musical number can get.
And the reprise is also kick-ass too.
Mountain Town is how you open a movie musical with no stops.
